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Newsletter 74 – Waiting for my new book


I am proud to announce the imminent publication of what I think is my nineteenth book. ‘Home’ will be published on September 28.  

This book has been a joy to write and I have revisited many happy moments. I have indulged myself, spending happy hours in my own library; I have triaged boxes of notebooks and piles of clippings and discovered much treasure. I have had great conversations with like-minded food writers and good home cooks. I was encouraged by my publishers to be reflective, no doubt a kind way of reminding me of my age and my long culinary journey to this point. The suggestion to include a suite of essays was accepted with enthusiasm and has given me an opportunity to reflect on my life and the world as I see it now. Inevitably after a long lifetime fascinated by how and what people eat, it is unsurprising that I have been influenced and delighted by a wide range of people, places and experiences…

Newsletter 55 – A big moment



Illustration_Newsletter55 (2)

I am about to launch my 18th book into the market and of course there is a mix of excitement and anxiety.

The intended readership is new cooks, of whatever age and whichever gender. The book is illustrated and designed by the talented Evi O. My hope is to attract more and more tentative cooks into the kitchen and introduce them to the joys of cooking for themselves and their friends and family by smoothing the way and explaining the techniques and ‘why’s’ that can loom as stumbling blocks for the inexperienced. I had a teenager in my mind as I wrote but various grandparents have assured me the book will be perfect for their grandchildren of many differing ages.


Newsletter 54 – A bit of history.



I was lucky to visit this exhibition at the Art gallery of South Australia with a few of my fellow French students just days before it closed. Many thanks to for organising the day. What a splendid show it was! And what a beautiful gallery it is. There were not too many people, it was possible to stand in front of any painting for as long as you wanted and, dare I say it, far fewer visitors snapping away with their phones.

Many of the works were familiar from visits to the Quai d’Orsay in Paris but the way in which the show was curated was exciting. The works were grouped to show how these much-loved artists used colour in new ways, starting in the first room with rich blacks and deep tones, moving into a room of snowy scenes with blue reflections, then works of blue and green, then rose and violet. The walls of the various rooms were painted in complementary colours to show off the paintings. A cool lavender for the snowy paintings, a deep blue-green in the blue and green room.