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Newsletter 56 – On Tour!

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For the last 6 weeks I have been travelling to promote my new book The Cook’s Apprentice.

A book tour can strike fear in the heart of shy and introverted authors. It is a heady mix of admiration even adulation, long car journeys, solitary moments in hotel rooms, lots of signing and smiling, and for me at least, ragged sleep as I dwell on the last event and anticipate the next. However I have been treated wonderfully well and have met many dedicated and enthusiastic bookshop proprietors.

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Newsletter 55 – A big moment

 

 

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I am about to launch my 18th book into the market and of course there is a mix of excitement and anxiety.

The intended readership is new cooks, of whatever age and whichever gender. The book is illustrated and designed by the talented Evi O. My hope is to attract more and more tentative cooks into the kitchen and introduce them to the joys of cooking for themselves and their friends and family by smoothing the way and explaining the techniques and ‘why’s’ that can loom as stumbling blocks for the inexperienced. I had a teenager in my mind as I wrote but various grandparents have assured me the book will be perfect for their grandchildren of many differing ages.

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Newsletter 54 – A bit of history.

 

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I was lucky to visit this exhibition at the Art gallery of South Australia with a few of my fellow French students just days before it closed. Many thanks to frenchwithnicole.com.au for organising the day. What a splendid show it was! And what a beautiful gallery it is. There were not too many people, it was possible to stand in front of any painting for as long as you wanted and, dare I say it, far fewer visitors snapping away with their phones.

Many of the works were familiar from visits to the Quai d’Orsay in Paris but the way in which the show was curated was exciting. The works were grouped to show how these much-loved artists used colour in new ways, starting in the first room with rich blacks and deep tones, moving into a room of snowy scenes with blue reflections, then works of blue and green, then rose and violet. The walls of the various rooms were painted in complementary colours to show off the paintings. A cool lavender for the snowy paintings, a deep blue-green in the blue and green room.

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